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Directing Film Techniques and Aesthetics, 5th Edition
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Table of Contents
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.
Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.
Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.
Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.
The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.
New to the fifth edition
* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens - including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scène, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette
The world of the film director
Developing your path as a director
Essential elements of drama
Shaping the story into drama
Plot, time, and structure
Screenplay ground rules
Recognizing the superior screenplay
Script analysis and development
Cinematic point of view
Form and style
Tone: naturalistic and stylized approaches
The frame and the shot
The moving camera
Language of the edit
The human vantage of cinemativ language
Exploring the script
Planning the visual design
Coverage and the shooting script
Line producing and logistics
Developing a production crew
The director and production crew
On set: production begins
Directing on the set
Monitoring continuity and progress
Editing begins: getting to know the footage
The rough cuts
Getting to fine cut and picture lock
Working with music
The sound mix
The finishing touches
Michael Rabiger has directed or edited over 35 films, was Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in many countries. He is the author of Developing Story Ideas (Focal Press), and the enormously successful Directing the Documentary (Focal Press), now in its fifth edition.
Mick Hurbis-Cherrier teaches filmmaking at Hunter College in New York City. Professionally, he has worked as a screenwriter, director, cinematographer, and editor and his films have garnered prizes at numerous festivals. He is the author of Voice & Vision: A Creative Approach to Narrative Film and DV Production, in its second edition (Focal Press).
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